Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.