The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

The Fantasticks

The Fantasticks

The Fantasticks is a timeless fable of love that manages to be nostalgic and universal at the same time and is punctuated by a series of catchy, memorable songs, many of which have become classics.

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

Feliz Nat-vidad

Feliz Nat-vidad

Join Nat Zegree as he whisks you away on a musical journey celebrating the best holiday music from around the world!

Feliz Nat-vidad

Feliz Nat-vidad

Join Nat Zegree as he whisks you away on a musical journey celebrating the best holiday music from around the world!

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

Who Kidnapped Mrs. Claus?!

“Who Kidnapped Mrs. Claus?!” is an interactive, family-friendly holiday mystery.

Shows take place Fridays at 7:30pm, and Saturdays at 2pm & again at 7:30pm from December 6 – 21.

A Flat Rock Playhouse Christmas

A Flat Rock Playhouse Christmas

Join the Flat Rock Playhouse for their 3rd annual A Flat Rock Playhouse Christmas! This year’s show will include old favorites as well as new numbers not seen in past years. Bring the whole family to celebrate the season, and make this part of your family’s holiday tradition.

Shows Wednesday through Sunday. Times vary by day, check the Flat Rock Playhouse website!

The Lion, The Witch And The Wardrobe

The Lion, The Witch And The Wardrobe

Journey with the Flat Rock Playhouse to Narnia, the iconic land of mystery and magic in The Lion, the Witch, and the Wardrobe. The classic coming-of-age story by C.S. Lewis begins on a rainy afternoon when four children discover a wardrobe that transports them to this magical world. With every step they take into this new, fantastical land, the children must learn the difference between good and evil and how to stand up for what is right. Will the strength of goodness prevail in the face of cold, heartless evil? Find out in this fantasy adventure for the whole family!

Performances:

  • Fridays at 7pm
  • Saturdays at 2pm & 7pm
  • Sundays at 2pm
The Lion, The Witch And The Wardrobe

The Lion, The Witch And The Wardrobe

Journey with the Flat Rock Playhouse to Narnia, the iconic land of mystery and magic in The Lion, the Witch, and the Wardrobe. The classic coming-of-age story by C.S. Lewis begins on a rainy afternoon when four children discover a wardrobe that transports them to this magical world. With every step they take into this new, fantastical land, the children must learn the difference between good and evil and how to stand up for what is right. Will the strength of goodness prevail in the face of cold, heartless evil? Find out in this fantasy adventure for the whole family!

Performances:

  • Fridays at 7pm
  • Saturdays at 2pm & 7pm
  • Sundays at 2pm
The Lion, The Witch And The Wardrobe

The Lion, The Witch And The Wardrobe

Journey with the Flat Rock Playhouse to Narnia, the iconic land of mystery and magic in The Lion, the Witch, and the Wardrobe. The classic coming-of-age story by C.S. Lewis begins on a rainy afternoon when four children discover a wardrobe that transports them to this magical world. With every step they take into this new, fantastical land, the children must learn the difference between good and evil and how to stand up for what is right. Will the strength of goodness prevail in the face of cold, heartless evil? Find out in this fantasy adventure for the whole family!

Performances:

  • Fridays at 7pm
  • Saturdays at 2pm & 7pm
  • Sundays at 2pm
The Lion, The Witch And The Wardrobe

The Lion, The Witch And The Wardrobe

Journey with the Flat Rock Playhouse to Narnia, the iconic land of mystery and magic in The Lion, the Witch, and the Wardrobe. The classic coming-of-age story by C.S. Lewis begins on a rainy afternoon when four children discover a wardrobe that transports them to this magical world. With every step they take into this new, fantastical land, the children must learn the difference between good and evil and how to stand up for what is right. Will the strength of goodness prevail in the face of cold, heartless evil? Find out in this fantasy adventure for the whole family!

Performances:

  • Fridays at 7pm
  • Saturdays at 2pm & 7pm
  • Sundays at 2pm
The Lion, The Witch And The Wardrobe

The Lion, The Witch And The Wardrobe

Journey with the Flat Rock Playhouse to Narnia, the iconic land of mystery and magic in The Lion, the Witch, and the Wardrobe. The classic coming-of-age story by C.S. Lewis begins on a rainy afternoon when four children discover a wardrobe that transports them to this magical world. With every step they take into this new, fantastical land, the children must learn the difference between good and evil and how to stand up for what is right. Will the strength of goodness prevail in the face of cold, heartless evil? Find out in this fantasy adventure for the whole family!

Performances:

  • Fridays at 7pm
  • Saturdays at 2pm & 7pm
  • Sundays at 2pm
The Lion, The Witch And The Wardrobe

The Lion, The Witch And The Wardrobe

Journey with the Flat Rock Playhouse to Narnia, the iconic land of mystery and magic in The Lion, the Witch, and the Wardrobe. The classic coming-of-age story by C.S. Lewis begins on a rainy afternoon when four children discover a wardrobe that transports them to this magical world. With every step they take into this new, fantastical land, the children must learn the difference between good and evil and how to stand up for what is right. Will the strength of goodness prevail in the face of cold, heartless evil? Find out in this fantasy adventure for the whole family!

Performances:

  • Fridays at 7pm
  • Saturdays at 2pm & 7pm
  • Sundays at 2pm
The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

“Englishman in NC” – A Night of Sting & The Police

“Englishman in NC” – A Night of Sting & The Police

Following the success of his first concert series in 2018, NYC singer/multi-instrumentalist/composer/producer Daniel Sage (who has performed at Carnegie Hall, Lincoln Center, the UN, etc.) presents another concert of his “Special Summer Concert Series” this year, “Englishman in NC”, featuring a full band performing the hits and gems of Sting (& The Police as well). All concerts in the series (through October) also benefit local non-profit SAFELIGHT, that provides support for survivors of interpersonal violence, sexual assault and child abuse. $25. FREE ADMISSION for All Kids! The Bo Thomas Theatre (at Blue Ridge Community College), 130 Eagles Ranch Drive, Flat Rock. www.DanielSage.com. www.Safelightfamily.org. Tickets also Available at the Door (the night of the Concert). (212) 779-1186.

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

The Turn of The Screw

The Turn of The Screw

Just in time for Halloween, the Flat Rock Playhouse presents The Turn of the Screw, based on Henry James’ chilling horror story from 1898.

In The Turn of the Screw, the story follows a governess who, caring for two children at a remote estate, becomes convinced that the grounds are haunted. But is it all in her mind?

Shows Wednesday through Sunday. Times vary by day, check the Flat Rock Playhouse website!

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

The Hendersonville Community Theatre presents ‘The Addams Family, A New Musical’

Welcome to kooky, upside-down world of the Addams Family, a family dealing with the same challenges faced by any other family: the Addams kids are growing up. Wednesday Addams, the ultimate princess of darkness, has fallen in love with a sweet, smart young man from a respectable family – a man her parents have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday’s ‘normal’ boyfriend and his parents. In one fateful, hilarious night, secrets are disclosed, relationships are tested, and the Addams family must face up to the one horrible thing they’ve managed to avoid for generations: change.

Book by Marshall Brickman and Rick Elice, Music and lyrics by Andrew Lippa, based on characters created by Charles Addams

Directed by Sarah Fowler

Smoke On The Mountain

Smoke On The Mountain

Smoke on the Mountain tells the story of a Saturday Night Gospel Sing at a country church in North Carolina’s Smoky Mountains in 1938. The show features two dozen rousing bluegrass songs played and sung by the Sanders Family, a traveling group making its return to performing after a five-year hiatus.

 

Shows Wednesday through Sunday. Times vary by day, check the Flat Rock Playhouse website!

“Dance To The Music” – A Night of Soul & Motown

“Dance To The Music” – A Night of Soul & Motown

Following the success of his first concert series in 2018, NYC singer/multi-instrumentalist/composer/producer Daniel Sage (who has performed at Carnegie Hall, Lincoln Center, the UN, etc.) presents another concert of his “Special Summer Concert Series” this year, “Twist & Shout”, featuring a full band performing the hits and gems of Soul & Motown! Everything from Aretha to Ray, Temptations, Jackson 5, Otis, Sam Cooke, Sam & Dave, Prince, James Brown, & More! All concerts in the series (through October) also benefit local non-profit SAFELIGHT, that provides support for survivors of interpersonal violence, sexual assault and child abuse. $25. FREE ADMISSION for All Kids! The Bo Thomas Theatre (at Blue Ridge Community College), 130 Eagles Ranch Drive, Flat Rock. www.DanielSage.com. www.Safelightfamily.org. Tickets also Available at the Door (the night of the Concert). (212) 779-1186.

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

This award-winning classic of the modern stage examines the complexities of marriage and betrayal. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Directed by Jim Walker

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

This award-winning classic of the modern stage examines the complexities of marriage and betrayal. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Directed by Jim Walker

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

This award-winning classic of the modern stage examines the complexities of marriage and betrayal. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Directed by Jim Walker

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

This award-winning classic of the modern stage examines the complexities of marriage and betrayal. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Directed by Jim Walker

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

This award-winning classic of the modern stage examines the complexities of marriage and betrayal. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Directed by Jim Walker

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

The Hendersonville Community Theatre’s Second Stage presents Edward Albee’s “Who’s Afraid of Virginia Woolf”

This award-winning classic of the modern stage examines the complexities of marriage and betrayal. In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Directed by Jim Walker

Cinematastic: The Music Of The Movies

Cinematastic: The Music Of The Movies

Cinematastic: The Music Of The Movies will reimage the greatest hits from the Silver Screen to the Mainstream in a song and dance extravaganza. Cinematastic promises to whisk audiences away with the music of “Singing in the Rain”, “Dirty Dancing”, “Footloose”, and more! Embark on an adventure with a John Williams Suite and the music from “Top Gun”. Movie and theater buffs alike will be dancing in the aisles at this unforgettable production, crafted with love and pizazz, available only at The Flat Rock Playhouse with members of the Hendersonville Symphony.

Shows Wednesdays through Sunday. Times vary by day, check the Flat Rock Playhouse website!

The Legend of Johnny Cash Starring Philip Bauer

The Legend of Johnny Cash Starring Philip Bauer

The Legend of Johnny Cash starring Philip Bauer has been named “The World’s Greatest Tribute to Johnny Cash” by AXS TV. The show has been seen by sold out crowds in Australia, Canada, Mexico, Europe, and throughout the USA. Philip Bauer brings the sound and charisma of The Man in Black to life in this 90 minute stage show, backed by his four piece touring band.

W.S. Holland, Johnny Cash’s only drummer, summed it up after playing for Philip, “It was spooky. He is the best I’ve ever seen.”

The singer/songwriter has had his original songs played on over 300 country music stations across Europe. Throughout the 90’s, Bauer played in bands performing his own music as well as his impersonations of various artists. This award winning entertainer was a proud member of the Oklahoma Opry Association where he was honored as the Male Vocalist of the Year and Entertainer of the Year.

Philip was first asked to perform on national television on Charlie Daniels Talent Roundup on TNN. He has performed with many country music stars including Leann Rimes, David Frizzell, Vince Gill, Jim Ed Brown, and Toby Keith.

Don’t miss this incredible opportunity to relive the music and magic of the one and only Johnny Cash.

The Legend of Johnny Cash Starring Philip Bauer

The Legend of Johnny Cash Starring Philip Bauer

The Legend of Johnny Cash starring Philip Bauer has been named “The World’s Greatest Tribute to Johnny Cash” by AXS TV. The show has been seen by sold out crowds in Australia, Canada, Mexico, Europe, and throughout the USA. Philip Bauer brings the sound and charisma of The Man in Black to life in this 90 minute stage show, backed by his four piece touring band.

W.S. Holland, Johnny Cash’s only drummer, summed it up after playing for Philip, “It was spooky. He is the best I’ve ever seen.”

The singer/songwriter has had his original songs played on over 300 country music stations across Europe. Throughout the 90’s, Bauer played in bands performing his own music as well as his impersonations of various artists. This award winning entertainer was a proud member of the Oklahoma Opry Association where he was honored as the Male Vocalist of the Year and Entertainer of the Year.

Philip was first asked to perform on national television on Charlie Daniels Talent Roundup on TNN. He has performed with many country music stars including Leann Rimes, David Frizzell, Vince Gill, Jim Ed Brown, and Toby Keith.

Don’t miss this incredible opportunity to relive the music and magic of the one and only Johnny Cash.

The Legend of Johnny Cash Starring Philip Bauer

The Legend of Johnny Cash Starring Philip Bauer

The Legend of Johnny Cash starring Philip Bauer has been named “The World’s Greatest Tribute to Johnny Cash” by AXS TV. The show has been seen by sold out crowds in Australia, Canada, Mexico, Europe, and throughout the USA. Philip Bauer brings the sound and charisma of The Man in Black to life in this 90 minute stage show, backed by his four piece touring band.

W.S. Holland, Johnny Cash’s only drummer, summed it up after playing for Philip, “It was spooky. He is the best I’ve ever seen.”

The singer/songwriter has had his original songs played on over 300 country music stations across Europe. Throughout the 90’s, Bauer played in bands performing his own music as well as his impersonations of various artists. This award winning entertainer was a proud member of the Oklahoma Opry Association where he was honored as the Male Vocalist of the Year and Entertainer of the Year.

Philip was first asked to perform on national television on Charlie Daniels Talent Roundup on TNN. He has performed with many country music stars including Leann Rimes, David Frizzell, Vince Gill, Jim Ed Brown, and Toby Keith.

Don’t miss this incredible opportunity to relive the music and magic of the one and only Johnny Cash.

Flat Rock Playhouse presents “Rounding Third”

Flat Rock Playhouse presents “Rounding Third”

Rounding Third is a bro-medy about 2 coaches. Don is a coach who believes that winning is what is most important in baseball, and he is all about the game. Michael is his assistant coach, a businessman who believes that kids should have fun when they play baseball. These conflicting personalities instantly clash. Don’s kid is the star pitcher of the team, and Michael’s kid can barely remember to keep his shoelaces tied. In addition, there are extramarital affairs going on (though the truth of them is well-hidden), and Michael’s job is not all that it seems.

Shows Wednesday through Sunday. Times vary by day, check the Flat Rock Playhouse website!

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

“Twist & Shout” – A Night of The Beatles

“Twist & Shout” – A Night of The Beatles

Following the success of his first concert series in 2018, NYC singer/multi-instrumentalist/composer/producer Daniel Sage (who has performed at Carnegie Hall, Lincoln Center, the UN, etc.) presents another concert of his “Special Summer Concert Series” this year, “”Twist & Shout” – A Night of The Beatles, featuring a full band performing the hits and gems of the best-selling band in history.. The Beatles. All concerts in the series (through October) also benefit local non-profit SAFELIGHT, that provides support for survivors of interpersonal violence, sexual assault and child abuse. $25. FREE ADMISSION for All Kids! The Bo Thomas Theatre (at Blue Ridge Community College), 130 Eagles Ranch Drive, Flat Rock. www.DanielSage.com. www.Safelightfamily.org. Tickets also Available at the Door (the night of the Concert). (212) 779-1186.

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

2nd Sundays at The Center, Sherry Lovett, Story Teller  and Lillian Chase, Fiddler

2nd Sundays at The Center, Sherry Lovett, Story Teller and Lillian Chase, Fiddler

In August we are featuring story teller Sherry Lovett and 13 year old fiddler, Lillian Chase,

CAI presents Sherry Lovett, storyteller, and renown 13 year-old musician Lillian Chase in an afternoon of traditional Appalachian words and blue grass music.

Sherry Lovett has been a middle school teacher, elementary media specialist, homeschooler, educational cooperative leader, teaching artist for Penland School of Crafts, workshop facilitator, and, through it all, a storyteller. Through haunting ballads, historic narratives, and wise and wonderful folktales, Sherry swirls together a magical stew to delight audiences from school assemblies to a variety of adult performances. She connects with her audiences through universal themes and delivers stories with beautiful language and graceful movements. Her mission is to inspire, encourage, entertain, and connect with people through the art of storytelling.

Sixth generation Western North Carolina native, Lillian Chase, may be young, but she’s no stranger to old-time and bluegrass music. She began playing music at 6 years of age and now the 13-year old fiddler from Weaverville, NC has released her debut album. The CD highlights collaborations of the young fiddler with nationally and regionally known musicians she considers important mentors in her traditional music education. She has shared the stage with traditional music greats like Bobby Hicks, April Verch, Bruce Molsky, Riley Baugus, Pete Sutherland, and John Doyle, and many of these people appear on the album.

The recording was made possible for Lillian through an award from the Acadia School of Traditional Music & Arts. The music school recognized her work and interest in traditional music through their 2017 Young Artist of the Year award. The award’s stated focus is to fund a young artist’s first professional recording, and to help launch the musical careers of the best and brightest young musicians of the next generation.

Lillian received several awards in 2017, including the prestigious Wayne Henderson scholarship. Celebrated flat pick guitarist Wayne Henderson sets aside proceeds from his annual festival to give to up-and-coming acoustic artists, specifically for their study of traditional Appalachian music. The Houston Caldwell Scholarship, given by HoustonFest in Galax, VA, also selected Chase as a winner this year for traditional music study.

2nd Sundays @ The Center is a series of unique events tailored to the reflective spirit of Sundays. Relax in the warm and intimate setting of The Center and let yourself unwind as you listen to live music. Then, allow our professional storytellers to take you on a journey through time, evoking history, memory, and connection. Each month we bring you a unique program with story and music themed for an immersive experience.

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

Rabbit Hole

Rabbit Hole

August 9-25, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

Becca and Howard Corbett have everything a family could want, until a life-shattering accident turns their world upside down and leaves the couple drifting perilously apart. Rabbit Hole charts their bittersweet search for comfort in the darkest of places and for a path that will lead them back into the light of day. Winner of the 2007 Pulitzer Prize.

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda (The Life of Mrs. Cole Porter)

Love, Linda is a one-woman musical about Linda Lee Thomas, the glamorous spouse and driving force behind renowned American songwriter Cole Porter, and tells the story of their unconventional 35-year marriage. Tickets $25. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

The Hendersonville Community Theatre presents “Bye Bye Birdie”

The Hendersonville Community Theatre presents “Bye Bye Birdie”

A campy musical send-up of the late 1950s, small-town America, teenagers, and rock & roll. Teen heartthrob Conrad Birdie has been drafted, so he chooses All-American girl Kim MacAfee for a very public farewell kiss. Inspired by the phenomenon of Elvis Presley and his draft notice into the Army.

Musical Comedy Book by Michael Stewart, Music by Charles Strouse, Lyrics by Lee Adams, originally produced by Edward Padula

Directed by Colby Coren

 

“MOONDANCIN” – A Night of Van Morrison

“MOONDANCIN” – A Night of Van Morrison

Following the success of his first concert series in 2018, NYC singer/multi-instrumentalist/composer/producer Daniel Sage (who has performed at Carnegie Hall, Lincoln Center, the UN, etc.) presents another concert of his “Special Summer Concert Series” this year, “Moondancin”, featuring a full band performing the hits and gems of Van Morrison. All concerts in the series (through October) also benefit local non-profit SAFELIGHT, that provides support for survivors of interpersonal violence, sexual assault and child abuse. $25. FREE ADMISSION for All Kids! The Bo Thomas Theatre (at Blue Ridge Community College), 130 Eagles Reach Drive, Flat Rock. www.DanielSage.com. www.Safelightfamily.org. Tickets also Available at the Door (the night of the Concert). (212) 779-1186.

Flat Rock Playhouse presents “All Shook Up”

Flat Rock Playhouse presents “All Shook Up”

Travel back in time to 1955 to a small, dreary cookie-cutter town where everything is about to change. A young mechanic, Natalie, dreams for adventure and love. Suddenly, a mysterious, leather-jacketed, guitar-playing, hip-swinging stranger shakes up the people of this small town as they discover romance, rock & roll, and riotous fun! This musical fantasy is built around songs made famous by Elvis Presley including hits like “Heartbreak Hotel,” “Love Me Tender,” “Don’t Be Cruel,” and, “Can’t Help Falling in Love”. Backed by a rousing Elvis score, this crazy and uplifting musical comedy will have audiences jumpin’ out of their blue suede shoes! “This is a great big Broadway show that never loses its mind or its light touch, with the accent on fun. It’s a roustabout’s joyride.” Journal News “A mixed-up merry-go-round of fun anchored by all those Presley tunes. Lightweight, to be sure, but it floats very nicely indeed.” Associated Press

Shows Wednesday through Sunday. Times vary by day, check the Flat Rock Playhouse website!

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

“U Rang Durang?” includes two of Durang’s most popular one acts, For Whom the Southern Belle Tolls and  ‘dentity Crisis, combined together into one night of bizarre hilarity. These crackpot comedies both turn family upside down in a way that only Christopher Durang can.

For Whom the Southern Bell Tolls

In this parody of THE GLASS MENAGERIE, the fading Southern belle, Amanda, tries to prepare her hyper-sensitive, hypochondriacal son, Lawrence, for “the feminine caller.” Terrified of people, Lawrence plays with his collection of glass cocktail stirrers. Ginny, the feminine caller, is hard of hearing and overbearingly friendly. Brother Tom wants to go the movies, where he keeps meeting sailors who need to be put up in his room. Amanda tries to face everything with “charm and vivacity,” but sometimes she just wants to hit somebody.

‘dentity Crisis

Recovering from a nervous breakdown, Jane is nursed and nagged by her relentlessly cheerful mother, and confused by her oversexed brother—who keeps changing into her father, her grandfather and her mother’s French lover. Eventually all (including Jane’s psychiatrist, who undergoes a sex change operation and swaps places with his wife) change characters again and become Jane herself—leaving her with no identity at all and pointing up the near impossibility of self-identification in our uncertain times.

Directed by Jonathan Forrester

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

“U Rang Durang?” includes two of Durang’s most popular one acts, For Whom the Southern Belle Tolls and  ‘dentity Crisis, combined together into one night of bizarre hilarity. These crackpot comedies both turn family upside down in a way that only Christopher Durang can.

For Whom the Southern Bell Tolls

In this parody of THE GLASS MENAGERIE, the fading Southern belle, Amanda, tries to prepare her hyper-sensitive, hypochondriacal son, Lawrence, for “the feminine caller.” Terrified of people, Lawrence plays with his collection of glass cocktail stirrers. Ginny, the feminine caller, is hard of hearing and overbearingly friendly. Brother Tom wants to go the movies, where he keeps meeting sailors who need to be put up in his room. Amanda tries to face everything with “charm and vivacity,” but sometimes she just wants to hit somebody.

‘dentity Crisis

Recovering from a nervous breakdown, Jane is nursed and nagged by her relentlessly cheerful mother, and confused by her oversexed brother—who keeps changing into her father, her grandfather and her mother’s French lover. Eventually all (including Jane’s psychiatrist, who undergoes a sex change operation and swaps places with his wife) change characters again and become Jane herself—leaving her with no identity at all and pointing up the near impossibility of self-identification in our uncertain times.

Directed by Jonathan Forrester

An Improper Royal Tea, Murder Mystery Theatre

An Improper Royal Tea, Murder Mystery Theatre

The Lord Chamberlain is commanded by Her Majesty to invite You to a Party in the Palace Garden.

Each summer the Queen hosts the Palace Garden Party with more than 30,000 invited guests. This year an UNinvited guest has eluded Palace Security, and the arrival is causing panic! As the mystery unravels, we find the Royals worried about the intruder and the staff with something much more important on their minds! Murder…and YOU identify the culprit and solve the crime.

If you choose… “gentlemen wear morning dress or lounge suits, while women wear day dress, usually with hats or fascinators. National dress and uniform are also often worn.”

Our guest list is NOT as extensive! You MUST reserve tickets as priority seating with Her Majesty is Limited!

Tickets include interactive murder mystery theatre plus a Compleat Royal Tea with Sandwiches, Scones with Jam, Clotted Cream and Lemon Curd, Assorted Desserts and, of course, our Very Proper Tea with A Southern Cup Fine Teas.

Not appropriate for children under 13.

Group prices available for groups of eight (8) or more. For group sales, please call the box office at 828-697-8547.

Jack’s Adventures in Space

Jack’s Adventures in Space

Presented by Bright Star Touring Theatre. Best for Grades Pre-K – 6. Learn about all the planets that circle the sun as Jack, a young student, puts his imagination to work to take him on an out-of-this-world adventure through the solar system. Tickets $7.

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

“U Rang Durang?” includes two of Durang’s most popular one acts, For Whom the Southern Belle Tolls and  ‘dentity Crisis, combined together into one night of bizarre hilarity. These crackpot comedies both turn family upside down in a way that only Christopher Durang can.

For Whom the Southern Bell Tolls

In this parody of THE GLASS MENAGERIE, the fading Southern belle, Amanda, tries to prepare her hyper-sensitive, hypochondriacal son, Lawrence, for “the feminine caller.” Terrified of people, Lawrence plays with his collection of glass cocktail stirrers. Ginny, the feminine caller, is hard of hearing and overbearingly friendly. Brother Tom wants to go the movies, where he keeps meeting sailors who need to be put up in his room. Amanda tries to face everything with “charm and vivacity,” but sometimes she just wants to hit somebody.

‘dentity Crisis

Recovering from a nervous breakdown, Jane is nursed and nagged by her relentlessly cheerful mother, and confused by her oversexed brother—who keeps changing into her father, her grandfather and her mother’s French lover. Eventually all (including Jane’s psychiatrist, who undergoes a sex change operation and swaps places with his wife) change characters again and become Jane herself—leaving her with no identity at all and pointing up the near impossibility of self-identification in our uncertain times.

Directed by Jonathan Forrester

Flat Rock Playhouse presents “Separate Beds”

Flat Rock Playhouse presents “Separate Beds”

Separate Beds is an inspiring and uproarious voyage of rediscovery brought to you by the North Carolina State Theatre: Flat Rock Playhouse. This romantic comedy by M.J. Cruise brings new life to the enduring question, is the grass really greener on the other side, as two couples compare their relationships. In an effort to spice up their relationship, empty nesters embark on a cruise vacation only to meet another couple who seem to “have it all”. Will these couples rekindle the sparks that brought them together? “…No doubt, the long-married may recognize aspects of themselves in Cruise’s characters and laugh while realizing how to keep the fires burning at home.…” – BroadwayWorld LA “…[M.J. Cruise’s] keen eye to the subtleties of marriage is brilliantly displayed… ” – Splash Magazine, LA

Shows Thursday through Sunday. Times vary by day, check the Flat Rock Playhouse website!

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

“U Rang Durang?” includes two of Durang’s most popular one acts, For Whom the Southern Belle Tolls and  ‘dentity Crisis, combined together into one night of bizarre hilarity. These crackpot comedies both turn family upside down in a way that only Christopher Durang can.

For Whom the Southern Bell Tolls

In this parody of THE GLASS MENAGERIE, the fading Southern belle, Amanda, tries to prepare her hyper-sensitive, hypochondriacal son, Lawrence, for “the feminine caller.” Terrified of people, Lawrence plays with his collection of glass cocktail stirrers. Ginny, the feminine caller, is hard of hearing and overbearingly friendly. Brother Tom wants to go the movies, where he keeps meeting sailors who need to be put up in his room. Amanda tries to face everything with “charm and vivacity,” but sometimes she just wants to hit somebody.

‘dentity Crisis

Recovering from a nervous breakdown, Jane is nursed and nagged by her relentlessly cheerful mother, and confused by her oversexed brother—who keeps changing into her father, her grandfather and her mother’s French lover. Eventually all (including Jane’s psychiatrist, who undergoes a sex change operation and swaps places with his wife) change characters again and become Jane herself—leaving her with no identity at all and pointing up the near impossibility of self-identification in our uncertain times.

Directed by Jonathan Forrester

“SUMMER SWING!”  – A Night of Sinatra!

“SUMMER SWING!” – A Night of Sinatra!

Following the success of his first concert series in 2018, NYC singer/multi-instrumentalist/composer/producer Daniel Sage (who has performed at Carnegie Hall, Lincoln Center, the UN, etc.) presents another concert of his “Special Summer Concert Series” this year, “SUMMER SWING!” (A Night of Sinatra!), featuring a full Swing Band performing the hits and gems of the Frank Sinatra. Dancing! Listening! Enjoying! Celebrating! Drinks & Snacks Available. All concerts in the series (through October) also benefit local non-profit SAFELIGHT, that provides support for survivors of interpersonal violence, sexual assault and child abuse. $25. FREE ADMISSION for All Kids! Blue Ridge Conference Hall (at Blue Ridge Community College), 49 East Campus Drive, Flat Rock. www.DanielSage.com. www.Safelightfamily.org. Tickets also Available at the Door (the night of the Concert). (212) 779-1186.

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

“U Rang Durang?” includes two of Durang’s most popular one acts, For Whom the Southern Belle Tolls and  ‘dentity Crisis, combined together into one night of bizarre hilarity. These crackpot comedies both turn family upside down in a way that only Christopher Durang can.

For Whom the Southern Bell Tolls

In this parody of THE GLASS MENAGERIE, the fading Southern belle, Amanda, tries to prepare her hyper-sensitive, hypochondriacal son, Lawrence, for “the feminine caller.” Terrified of people, Lawrence plays with his collection of glass cocktail stirrers. Ginny, the feminine caller, is hard of hearing and overbearingly friendly. Brother Tom wants to go the movies, where he keeps meeting sailors who need to be put up in his room. Amanda tries to face everything with “charm and vivacity,” but sometimes she just wants to hit somebody.

‘dentity Crisis

Recovering from a nervous breakdown, Jane is nursed and nagged by her relentlessly cheerful mother, and confused by her oversexed brother—who keeps changing into her father, her grandfather and her mother’s French lover. Eventually all (including Jane’s psychiatrist, who undergoes a sex change operation and swaps places with his wife) change characters again and become Jane herself—leaving her with no identity at all and pointing up the near impossibility of self-identification in our uncertain times.

Directed by Jonathan Forrester

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

The Hendersonville Community Theatre’s Second Stage presents ‘U Rang Durang?’

“U Rang Durang?” includes two of Durang’s most popular one acts, For Whom the Southern Belle Tolls and  ‘dentity Crisis, combined together into one night of bizarre hilarity. These crackpot comedies both turn family upside down in a way that only Christopher Durang can.

For Whom the Southern Bell Tolls

In this parody of THE GLASS MENAGERIE, the fading Southern belle, Amanda, tries to prepare her hyper-sensitive, hypochondriacal son, Lawrence, for “the feminine caller.” Terrified of people, Lawrence plays with his collection of glass cocktail stirrers. Ginny, the feminine caller, is hard of hearing and overbearingly friendly. Brother Tom wants to go the movies, where he keeps meeting sailors who need to be put up in his room. Amanda tries to face everything with “charm and vivacity,” but sometimes she just wants to hit somebody.

‘dentity Crisis

Recovering from a nervous breakdown, Jane is nursed and nagged by her relentlessly cheerful mother, and confused by her oversexed brother—who keeps changing into her father, her grandfather and her mother’s French lover. Eventually all (including Jane’s psychiatrist, who undergoes a sex change operation and swaps places with his wife) change characters again and become Jane herself—leaving her with no identity at all and pointing up the near impossibility of self-identification in our uncertain times.

Directed by Jonathan Forrester

Our Town

Our Town

Shakespeare and Friends presents the classic American play “Our Town” in a beautiful outdoor amphitheater.

For “Our Town’s” residents of Grover’s Corners, daily life proceeds at a predictable pace. The milkman arrives like clockwork, the neighbors perpetually gossip, and children contemplate their future. It’s a simple plot line but somehow expresses all the joys and complexities of life. Two of these children, George Gibbs (Allen Law) and Emily Webb (Tara Sweeney) fall in love as adults and despite last minute nerves, get married.Thornton Wilder’s Pulitzer, Tony and Academy Award winning play is a beloved theater classic.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Our Town

Our Town

Shakespeare and Friends presents the classic American play “Our Town” in a beautiful outdoor amphitheater.

For “Our Town’s” residents of Grover’s Corners, daily life proceeds at a predictable pace. The milkman arrives like clockwork, the neighbors perpetually gossip, and children contemplate their future. It’s a simple plot line but somehow expresses all the joys and complexities of life. Two of these children, George Gibbs (Allen Law) and Emily Webb (Tara Sweeney) fall in love as adults and despite last minute nerves, get married.Thornton Wilder’s Pulitzer, Tony and Academy Award winning play is a beloved theater classic.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

The Wizard of Oz

The Wizard of Oz

Presented by Bright Star Touring Theatre. Best for Grades Pre-K – 6. Join Dorothy, the Cowardly Lion, the Tin Man and the Scarecrow on their trip down the Yellow Brick Road in this fun interactive retelling of the L. Frank Baum classic. Tickets $7.

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

Hands On A Hardbody

Hands On A Hardbody

June 7-30, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 6/20 and 6/27 at 7:30 pm

For 10 hard-luck Texans, a new lease on life is so close they can touch it. Under a scorching sun for days on end, armed with nothing but hope, humor and ambition, they’ll fight to keep at least one hand on a brand new “hardbody” Nissan truck in order to win it. In the hilarious, hard-fought contest, only one winner can drive away with the American dream. Based on a true story.

South Pacific

South Pacific

The Flat Rock Playhouse presents Rodger’s and Hammerstein’s classic musical South Pacific!

Set against the dramatic background of an idyllic South Pacific island during WWII, Rodgers and Hammerstein’s South Pacific intertwines the themes of romance, duty, and prejudice to create a story that is all at once hilarious, heartbreaking, and thought-provoking. Based on the anecdotes of a real-life U.S. Navy commander who was stationed on an island, the musical follows two intercultural love stories: Nellie, a spunky nurse from Arkansas, falls in love with Emile, a French plantation owner on the island who has two children from his late Polynesian wife; at the same time, U.S. Lieutenant Cable falls for a beautiful island native named Liat. Both Americans find themselves struggling to reconcile their own cultural prejudices with their amorous feelings, all the while under the dark cloud of a war that is coming ever closer to their island paradise.

Shows Wednesday through Sunday. Times vary by day, check the Flat Rock Playhouse website!

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

The Hendersonville Community Theatre presents ‘August Osage County’

The Hendersonville Community Theatre presents ‘August Osage County’

This award-winning dark comedy centers on a tense family reunion in a small Oklahoma town. When the family patriarch vanishes, the Westons daughters return home to care for their afflicted, manipulative mother Violet. Armed with prescription drugs and paranoid mood swings, Violet reigns over the home as family secrets unfold.

Directed by Beth Norris

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Speech & Debate

Speech & Debate

Three misfit teenagers come together to start a Speech & Debate team at school, protest the school’s production of Once Upon a Mattress, and take down a possibly predatory teacher, but Loyalties shift and secrets are revealed in this dark comedy. Tickets $20. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Guys and Dolls Jr

Guys and Dolls Jr

Set in Damon Runyon’s New York City, Guys and Dolls JR. follows gambler, Nathan Detroit, as he tries to find the cash to set up the biggest craps game in town while the authorities breathe down his neck; meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for fourteen years without ever getting married. Performed with children actors. Tickets $7.

Guys and Dolls Jr

Guys and Dolls Jr

Set in Damon Runyon’s New York City, Guys and Dolls JR. follows gambler, Nathan Detroit, as he tries to find the cash to set up the biggest craps game in town while the authorities breathe down his neck; meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for fourteen years without ever getting married. Performed with children actors. Tickets $7.

Guys and Dolls Jr

Guys and Dolls Jr

Set in Damon Runyon’s New York City, Guys and Dolls JR. follows gambler, Nathan Detroit, as he tries to find the cash to set up the biggest craps game in town while the authorities breathe down his neck; meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for fourteen years without ever getting married. Performed with children actors. Tickets $7.

Stones In His Pockets

Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Stones In His Pockets

Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Stones In His Pockets

Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Stones In His Pockets

Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Stones In His Pockets

Stones In His Pockets

Stones In His Pockets takes place in a scenic spot near small town in County Kerry which has been taken over by a Hollywood film crew. Charlie Conlan and Jake Quinn have been employed as extras on the film and tell the story of the impact this movie set has upon the local community. Charlie claims to be escaping the aftermath of a failed business venture and has great aspirations to get his own script made into a film. Jake has recently returned from America and is enthralled by the beauty of the movie’s leading lady until it becomes clear that she only wants to use him to appropriate his accent. The play depicts the local excitement and enthusiasm at being part of a huge movie, but the glamour quickly fades as the reality of being an extra kicks in. Charlie and Jake play thirteen other eccentric and eclectic characters between them, including Caroline, the American movie star who struggles to do a convincing Irish accent; Clem, the English director; and Mickey, a local extra in his seventies. They tell the story of local teenager, Sean Harkin, who commits suicide by drowning with stones in his pockets after being humiliated by the movie’s star and thrown out of his local pub. Following his suicide, the town must come to terms with his death and the apparent disinterest from the film crew who, initially, are unwilling to interrupt filming to let the extras go to the funeral. Jake blames himself for not helping Sean when he was in need and mocks Charlie for his continual optimism. The two men decide to rewrite Charlie’s script to tell Sean’s story but Clem informs them that it isn’t exciting or glamorous enough to ever succeed. With just two actors playing over a dozen parts, Stones In His Pockets is a comedic yet tragic take on the effects of the Hollywood dream in a small Irish town.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Romeo & Juliet

Romeo & Juliet

The NC Stage Company presents Shakespeare’s famed Romeo & Juliet, about star-crossed lovers who come from feuding families in Verona, Italy in their Spring 2019 Community Tour. These FREE performances takes place on Friday, April 5 at 4:30pm at the Transylvania County Library in Brevard and again on Saturday, April 6 at 3:00pm at the Transylvania Community Arts Center in Brevard.

 

 

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Alice In Wonderland

Alice In Wonderland

April 5-21, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm

A journey into a world of complete illusion! All the familiar characters from Lewis Carroll’s famed Victorian fairy tale are here: Alice, The Mad Hatter, The White Rabbit, Tweedledee and Tweedledum, The Red Queen, The Cheshire Cat … and many more! Produced and reviewed on Broadway, this is considered the most successful dramatic version of Alice in Wonderland and Through the Looking Glass.

An Iliad

An Iliad

In An Iliad, poetry and humor, the ancient tale of the Trojan War and the modern world collide, set in the present day on an empty stage with a lone storyteller. Tickets $18. Held at the Asheville Community Theatre’s 35Below Black Box Theatre.

Romeo & Juliet

Romeo & Juliet

The NC Stage Company presents Shakespeare’s famed Romeo & Juliet, about star-crossed lovers who come from feuding families in Verona, Italy in their Spring 2019 Community Tour. These FREE performances takes place on Friday, April 5 at 4:30pm at the Transylvania County Library in Brevard and again on Saturday, April 6 at 3:00pm at the Transylvania Community Arts Center in Brevard.

 

 

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Broadway Bootcamp

Broadway Bootcamp

The Broadway Bootcamp Spring Showcase stars Asheville Community Theatre’s class of 12 to 17-year-olds in a cabaret style performance featuring solos, duets, trios and company numbers from the musical theatre songbook. Performed with children actors. Tickets $7.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Broadway Bootcamp

Broadway Bootcamp

The Broadway Bootcamp Spring Showcase stars Asheville Community Theatre’s class of 12 to 17-year-olds in a cabaret style performance featuring solos, duets, trios and company numbers from the musical theatre songbook. Performed with children actors. Tickets $7.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

A Year With Frog and Toad KIDS

A Year With Frog and Toad KIDS

This whimsical show follows two great friends – the cheerful, popular Frog, and the rather grumpy Toad – through four fun-filled seasons, and throughout the year, the two best friends celebrate and rejoice in the differences that make them unique and special. Tickets $20. Performed with children actors.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

A Year With Frog and Toad KIDS

A Year With Frog and Toad KIDS

This whimsical show follows two great friends – the cheerful, popular Frog, and the rather grumpy Toad – through four fun-filled seasons, and throughout the year, the two best friends celebrate and rejoice in the differences that make them unique and special. Tickets $20. Performed with children actors.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

A Year With Frog and Toad KIDS

A Year With Frog and Toad KIDS

This whimsical show follows two great friends – the cheerful, popular Frog, and the rather grumpy Toad – through four fun-filled seasons, and throughout the year, the two best friends celebrate and rejoice in the differences that make them unique and special. Tickets $20. Performed with children actors.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Silent Sky

Silent Sky

When Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s, she isn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta, in her free time, attempts to measure the light and distance of stars, she must also take measure of her life on Earth, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries, when women’s ideas were dismissed until men claimed credit for them. Social progress, like scientific progress, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both, and their dedication changed the way we understand both the heavens and Earth.

“SILENT SKY is a startling, entertaining true story of a brilliant, history-making woman—hitherto unknown to many of us.” —AtlantaInTown.com

Produced by Immediate Theatre Project.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Footloose

Footloose

February 8-March 3, 2019

Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm; Additional Thursday performances 2/21 and 2/28 at 7:30 pm

When teenager Ren McCormack moves from Chicago to a small town, he isn’t prepared for the stifling local laws, including a ban on dancing and rock music instituted by the local preacher. As he struggles to fit in, he encourages his classmates to defy the local pastor and call for a rock’n’roll prom. With an energetic Top 40 score amplified with dynamic new songs, Footloose celebrates the wisdom of opening minds and listening to the voices of young people. A musical version of the 1984 film.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Jeeves at Sea

Jeeves at Sea

Jeeves is back in an all-new adventure at North Carolina Stage Company — and, this time, he’s taking on an ocean of trouble.

For four weeks in January and February, NC Stage turns the satirical spotlight on 1920s high-society in “Jeeves at Sea,” the fourth installment in Margaret Raether’s adaptations to the stories of P.G. Wodehouse. Due to the series’ local success and popularity, beginning with “Jeeves Intervenes” in 2016, NC Stage has brought the beloved (but often loony) characters back for four consecutive seasons.

For the uninitiated, Jeeves is the competent valet of rich, playboy Londoner Bertie Wooster — and, as such, he’s tasked with solving the numerous, often hilariously absurd problems and predicaments that Bertie stumbles into.

In this fourth and most recent Raether adaptation of the “Jeeves” stories, Bertie and Jeeves set sail aboard the Vanderley yacht. Bertie, the pampered guest of the lively Lady Stella, is reveling in luxurious life at sea. That is: If only Bertie’s pal Crumpet hadn’t assaulted a prince. In the blink of an eye, Bertie and Crumpet have taken on disguises to ward off trouble on the ship. But it’s not long before Bertie, masquerading as a romance novelist, and Crumpet, posing as his own long-lost twin, are challenged to a duel by a sinister foreign count.

Doom and devastation seem to be in store for Bertie’s future — and it’s up to Jeeves to sort this mess out.

Reprising their roles for yet another season of hilarity, Scott Treadway returns as Bertie and Michael MacCauley plays Jeeves. “Jeeves at Sea” runs from Wednesday, Jan. 23 to Sunday, Feb. 17, at 7:30 p.m. on Wednesdays, Thursdays, Fridays and Saturdays and at 2 p.m. on Sundays. Two additional 2 p.m. matinee shows will be added on Feb. 9 and 16. Tickets are on sale now for $20-$46, depending on seating section, and special $10 tickets are available for students under 25 with a valid student ID. Tickets can be purchased online at ncstage.org or by calling 828-239-0263.

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

The Love Talker and A Ghost Story

The Love Talker and A Ghost Story

Eerie specters, magic, and strange visions arrive at Hendersonville Community Theatre from October 26 to November 4. The Halloween double feature, The Love Talker and A Ghost Story, haunt the theatre’s intimate Second Stage. Tickets are $16 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

The Love Talker, Deborah Pryor’s tale of witchery in the mountains of Virginia, is abundant with apparitions and an eerie and sensual atmosphere. Two women, 14-year-old Gowdie and her mother Bun, live together in a remote cabin in the woods where they wage a private war against oppressive forest forces: an impish, red-headed witch and the lustful demon, The Love Talker.

HCT Artistic Director Jim Walker directs the production. The cast features Jan Robbins as Bun and Claire Estes as Gowdie. Jayna Gerber plays The Redhead, and Christopher Hewitt plays The Love Talker.

In John Pielmeier’s A Ghost Story, two hikers, Oswald and Hackett, seek shelter from a winter blizzard in an isolated Maine cabin. They are joined by a mysterious girl, Soma. To pass the time, the three tell each other ghost stories that suddenly becomes real in the blood-curdling climax.

HCT stalwart Zachary Eden directs, and the cast features Gary McClain as Oswald, Zachary Eden as Hackett and Claire Estes as Soma.

Showtimes are 7:30 p.m. Fridays and Saturdays and 2 p.m. Sundays. The show is rated PG-13 for strong language and sexual content.

Hendersonville Community Theatre is celebrating its 53rd season as Hendersonville’s official community theater. HCT provides an inviting and nurturing environment, as well as high-quality, affordable entertainment for the residents of Hendersonville and surrounding areas.

Hendersonville Community Theatre is located at 229 South Washington Street. For tickets or more information contact us at 828-692-1082 or online at HendersonvilleTheatre.org

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

The Love Talker and A Ghost Story

The Love Talker and A Ghost Story

Eerie specters, magic, and strange visions arrive at Hendersonville Community Theatre from October 26 to November 4. The Halloween double feature, The Love Talker and A Ghost Story, haunt the theatre’s intimate Second Stage. Tickets are $16 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

The Love Talker, Deborah Pryor’s tale of witchery in the mountains of Virginia, is abundant with apparitions and an eerie and sensual atmosphere. Two women, 14-year-old Gowdie and her mother Bun, live together in a remote cabin in the woods where they wage a private war against oppressive forest forces: an impish, red-headed witch and the lustful demon, The Love Talker.

HCT Artistic Director Jim Walker directs the production. The cast features Jan Robbins as Bun and Claire Estes as Gowdie. Jayna Gerber plays The Redhead, and Christopher Hewitt plays The Love Talker.

In John Pielmeier’s A Ghost Story, two hikers, Oswald and Hackett, seek shelter from a winter blizzard in an isolated Maine cabin. They are joined by a mysterious girl, Soma. To pass the time, the three tell each other ghost stories that suddenly becomes real in the blood-curdling climax.

HCT stalwart Zachary Eden directs, and the cast features Gary McClain as Oswald, Zachary Eden as Hackett and Claire Estes as Soma.

Showtimes are 7:30 p.m. Fridays and Saturdays and 2 p.m. Sundays. The show is rated PG-13 for strong language and sexual content.

Hendersonville Community Theatre is celebrating its 53rd season as Hendersonville’s official community theater. HCT provides an inviting and nurturing environment, as well as high-quality, affordable entertainment for the residents of Hendersonville and surrounding areas.

Hendersonville Community Theatre is located at 229 South Washington Street. For tickets or more information contact us at 828-692-1082 or online at HendersonvilleTheatre.org

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”

Flat Rock Playhouse Mainstage presents “The Hound of the Baskervilles”, an adaptation of the classic crime novel written by Sir Arthur Conan Doyle featuring the detective Sherlock Holmes is a fast paced, wild ride through the fog-shrouded moors of England; Tickets $20-52, check website for times & ticket prices, Flat Rock, NC

The Love Talker and A Ghost Story

The Love Talker and A Ghost Story

Eerie specters, magic, and strange visions arrive at Hendersonville Community Theatre from October 26 to November 4. The Halloween double feature, The Love Talker and A Ghost Story, haunt the theatre’s intimate Second Stage. Tickets are $16 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

The Love Talker, Deborah Pryor’s tale of witchery in the mountains of Virginia, is abundant with apparitions and an eerie and sensual atmosphere. Two women, 14-year-old Gowdie and her mother Bun, live together in a remote cabin in the woods where they wage a private war against oppressive forest forces: an impish, red-headed witch and the lustful demon, The Love Talker.

HCT Artistic Director Jim Walker directs the production. The cast features Jan Robbins as Bun and Claire Estes as Gowdie. Jayna Gerber plays The Redhead, and Christopher Hewitt plays The Love Talker.

In John Pielmeier’s A Ghost Story, two hikers, Oswald and Hackett, seek shelter from a winter blizzard in an isolated Maine cabin. They are joined by a mysterious girl, Soma. To pass the time, the three tell each other ghost stories that suddenly becomes real in the blood-curdling climax.

HCT stalwart Zachary Eden directs, and the cast features Gary McClain as Oswald, Zachary Eden as Hackett and Claire Estes as Soma.

Showtimes are 7:30 p.m. Fridays and Saturdays and 2 p.m. Sundays. The show is rated PG-13 for strong language and sexual content.

Hendersonville Community Theatre is celebrating its 53rd season as Hendersonville’s official community theater. HCT provides an inviting and nurturing environment, as well as high-quality, affordable entertainment for the residents of Hendersonville and surrounding areas.

Hendersonville Community Theatre is located at 229 South Washington Street. For tickets or more information contact us at 828-692-1082 or online at HendersonvilleTheatre.org

The Love Talker and A Ghost Story

The Love Talker and A Ghost Story

Eerie specters, magic, and strange visions arrive at Hendersonville Community Theatre from October 26 to November 4. The Halloween double feature, The Love Talker and A Ghost Story, haunt the theatre’s intimate Second Stage. Tickets are $16 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

The Love Talker, Deborah Pryor’s tale of witchery in the mountains of Virginia, is abundant with apparitions and an eerie and sensual atmosphere. Two women, 14-year-old Gowdie and her mother Bun, live together in a remote cabin in the woods where they wage a private war against oppressive forest forces: an impish, red-headed witch and the lustful demon, The Love Talker.

HCT Artistic Director Jim Walker directs the production. The cast features Jan Robbins as Bun and Claire Estes as Gowdie. Jayna Gerber plays The Redhead, and Christopher Hewitt plays The Love Talker.

In John Pielmeier’s A Ghost Story, two hikers, Oswald and Hackett, seek shelter from a winter blizzard in an isolated Maine cabin. They are joined by a mysterious girl, Soma. To pass the time, the three tell each other ghost stories that suddenly becomes real in the blood-curdling climax.

HCT stalwart Zachary Eden directs, and the cast features Gary McClain as Oswald, Zachary Eden as Hackett and Claire Estes as Soma.

Showtimes are 7:30 p.m. Fridays and Saturdays and 2 p.m. Sundays. The show is rated PG-13 for strong language and sexual content.

Hendersonville Community Theatre is celebrating its 53rd season as Hendersonville’s official community theater. HCT provides an inviting and nurturing environment, as well as high-quality, affordable entertainment for the residents of Hendersonville and surrounding areas.

Hendersonville Community Theatre is located at 229 South Washington Street. For tickets or more information contact us at 828-692-1082 or online at HendersonvilleTheatre.org

The Love Talker and A Ghost Story

The Love Talker and A Ghost Story

Eerie specters, magic, and strange visions arrive at Hendersonville Community Theatre from October 26 to November 4. The Halloween double feature, The Love Talker and A Ghost Story, haunt the theatre’s intimate Second Stage. Tickets are $16 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

The Love Talker, Deborah Pryor’s tale of witchery in the mountains of Virginia, is abundant with apparitions and an eerie and sensual atmosphere. Two women, 14-year-old Gowdie and her mother Bun, live together in a remote cabin in the woods where they wage a private war against oppressive forest forces: an impish, red-headed witch and the lustful demon, The Love Talker.

HCT Artistic Director Jim Walker directs the production. The cast features Jan Robbins as Bun and Claire Estes as Gowdie. Jayna Gerber plays The Redhead, and Christopher Hewitt plays The Love Talker.

In John Pielmeier’s A Ghost Story, two hikers, Oswald and Hackett, seek shelter from a winter blizzard in an isolated Maine cabin. They are joined by a mysterious girl, Soma. To pass the time, the three tell each other ghost stories that suddenly becomes real in the blood-curdling climax.

HCT stalwart Zachary Eden directs, and the cast features Gary McClain as Oswald, Zachary Eden as Hackett and Claire Estes as Soma.

Showtimes are 7:30 p.m. Fridays and Saturdays and 2 p.m. Sundays. The show is rated PG-13 for strong language and sexual content.

Hendersonville Community Theatre is celebrating its 53rd season as Hendersonville’s official community theater. HCT provides an inviting and nurturing environment, as well as high-quality, affordable entertainment for the residents of Hendersonville and surrounding areas.

Hendersonville Community Theatre is located at 229 South Washington Street. For tickets or more information contact us at 828-692-1082 or online at HendersonvilleTheatre.org

The Love Talker and A Ghost Story

The Love Talker and A Ghost Story

Eerie specters, magic, and strange visions arrive at Hendersonville Community Theatre from October 26 to November 4. The Halloween double feature, The Love Talker and A Ghost Story, haunt the theatre’s intimate Second Stage. Tickets are $16 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

The Love Talker, Deborah Pryor’s tale of witchery in the mountains of Virginia, is abundant with apparitions and an eerie and sensual atmosphere. Two women, 14-year-old Gowdie and her mother Bun, live together in a remote cabin in the woods where they wage a private war against oppressive forest forces: an impish, red-headed witch and the lustful demon, The Love Talker.

HCT Artistic Director Jim Walker directs the production. The cast features Jan Robbins as Bun and Claire Estes as Gowdie. Jayna Gerber plays The Redhead, and Christopher Hewitt plays The Love Talker.

In John Pielmeier’s A Ghost Story, two hikers, Oswald and Hackett, seek shelter from a winter blizzard in an isolated Maine cabin. They are joined by a mysterious girl, Soma. To pass the time, the three tell each other ghost stories that suddenly becomes real in the blood-curdling climax.

HCT stalwart Zachary Eden directs, and the cast features Gary McClain as Oswald, Zachary Eden as Hackett and Claire Estes as Soma.

Showtimes are 7:30 p.m. Fridays and Saturdays and 2 p.m. Sundays. The show is rated PG-13 for strong language and sexual content.

Hendersonville Community Theatre is celebrating its 53rd season as Hendersonville’s official community theater. HCT provides an inviting and nurturing environment, as well as high-quality, affordable entertainment for the residents of Hendersonville and surrounding areas.

Hendersonville Community Theatre is located at 229 South Washington Street. For tickets or more information contact us at 828-692-1082 or online at HendersonvilleTheatre.org

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre presents Hairspray Jr.

Hendersonville Community Theatre will shake and shimmy when students from Henderson, Buncombe, Polk, and Transylvania counties perform Hairspray JR. Hairspray JR. is presented by Champion Comfort Experts of Hendersonville.

The family-friendly show captures the spirit and turmoil of 1962 Baltimore through laughter, dance, romance, and deliriously tuneful songs. Hairspray JR. also includes the important message: that acceptance comes in all shapes, sizes, and nationalities.

The story follows Tracy Turnblad, a full-figured girl with full-figured hair and a big heart, who has only one passion – to dance. When her determination and rock ‘n roll moves land her a spot on a local television dance program, “The Corny Collins Show,” she is transformed from an outsider to an irrepressible teen celebrity. This trendsetter in dance and fashion uses her fame to win the affections of heartthrob Link Larkin, challenge the program’s reigning princess Amber, and rally against racial segregation…all without denting her ‘do.

There will be a complimentary opening night pre-show party and reception on July 20 starting at 6:30.

Moonlight & Magnolias on HCT 2nd Stage

Moonlight & Magnolias on HCT 2nd Stage

Moonlight and Magnolias is based on the allegedly true tale of how the final script for the blockbuster 1939 movie Gone with the Wind came about. In it, producer David O. Selznick, desperate for a hit, shuts down production of the film, locks himself, screenwriter Ben Hecht and legendary director Victor Fleming into Selznick’s office for five days to give birth to one of the most beloved films of all time. Surviving on bananas and peanuts, the trio fight hunger, sleep deprivation and blocked intestines to write some of the most famous lines in cinematic history.

Moonlight & Magnolias on HCT 2nd Stage

Moonlight & Magnolias on HCT 2nd Stage

Moonlight and Magnolias is based on the allegedly true tale of how the final script for the blockbuster 1939 movie Gone with the Wind came about. In it, producer David O. Selznick, desperate for a hit, shuts down production of the film, locks himself, screenwriter Ben Hecht and legendary director Victor Fleming into Selznick’s office for five days to give birth to one of the most beloved films of all time. Surviving on bananas and peanuts, the trio fight hunger, sleep deprivation and blocked intestines to write some of the most famous lines in cinematic history.

Moonlight & Magnolias on HCT 2nd Stage

Moonlight & Magnolias on HCT 2nd Stage

Moonlight and Magnolias is based on the allegedly true tale of how the final script for the blockbuster 1939 movie Gone with the Wind came about. In it, producer David O. Selznick, desperate for a hit, shuts down production of the film, locks himself, screenwriter Ben Hecht and legendary director Victor Fleming into Selznick’s office for five days to give birth to one of the most beloved films of all time. Surviving on bananas and peanuts, the trio fight hunger, sleep deprivation and blocked intestines to write some of the most famous lines in cinematic history.

Moonlight & Magnolias on HCT 2nd Stage

Moonlight & Magnolias on HCT 2nd Stage

Moonlight and Magnolias is based on the allegedly true tale of how the final script for the blockbuster 1939 movie Gone with the Wind came about. In it, producer David O. Selznick, desperate for a hit, shuts down production of the film, locks himself, screenwriter Ben Hecht and legendary director Victor Fleming into Selznick’s office for five days to give birth to one of the most beloved films of all time. Surviving on bananas and peanuts, the trio fight hunger, sleep deprivation and blocked intestines to write some of the most famous lines in cinematic history.

Moonlight & Magnolias on HCT 2nd Stage

Moonlight & Magnolias on HCT 2nd Stage

Moonlight and Magnolias is based on the allegedly true tale of how the final script for the blockbuster 1939 movie Gone with the Wind came about. In it, producer David O. Selznick, desperate for a hit, shuts down production of the film, locks himself, screenwriter Ben Hecht and legendary director Victor Fleming into Selznick’s office for five days to give birth to one of the most beloved films of all time. Surviving on bananas and peanuts, the trio fight hunger, sleep deprivation and blocked intestines to write some of the most famous lines in cinematic history.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.

Guys & Dolls on HCT Main Stage

Guys & Dolls on HCT Main Stage

Gangsters and gamblers, missionaries and showgirls are in town and on the Main Stage at Hendersonville Community Theatre, May 18th through June 3rd. Yes, it’s Guys and Dolls – Broadway’s perfect musical comedy about gambling men and the women who long to tame them! Tickets are $15-$26 and are available online at HendersonvilleTheatre.org or by calling the Box Office at (828) 692-1082.

Set against the backdrop of 1940s New York City, Guys and Dolls features one of the greatest musical scores in the history of American theatre, with hits that include: “I’ve Never Been in Love Before,” “Take Back Your Mink” and “Luck, Be a Lady.”

This Tony award-winning musical masterpiece, based on the stories of Damon Runyon, is directed by HCT veteran Phillipe Coquet and features musical direction by Bob Strain. Coquet last directed The Chalk Garden and brings a new interpretation to Guys and Dolls. The show is rated PG for gambling, alcohol use and adult situations.